God Father
- Master class
No
other music director creates such an expectation in the market as
Rehman does. In many ways, it is unfair. Like we expect Tendulkar to
score a century every time, we want a winner from Rehman every time.
The thing he never fails us mostly.
In Godfather too, he has not let us down. Giving a
mix of his much-famed orchestration and some new beats, Rehman shows
that class is permanent. It may not be his best effort. But at any
rate, it betters anything that the competition offers.
Kamma Karaiyal Umma Kodu
The beat and haunting humming set you up for an
intriguing mix. This is mass song but with a unique, and different,
flavor. It doesn’t go over the top. The rendition — Naresh and Sowmya
— is well controlled. But there is a new feel to the tune and
humming. Only the inane lyrics give the game away. Rehman’s splendid
rhythms again stand out.
Ilamai Vidukathai
The start reminds you of many Rehman songs of ore.
The beats too are typical. So is it deja vu time? Certainly not. The
song quickly gets into the groove and mood perks up as the singers go
in for a spirited rendition. Suresh Peter and Blaze (the rap part) may
both mince the words but they sure have a yen for songs that is full of
zest and zeal. One for you all those jiving on the dance floor.
Ilamai Vidukathai (remix)
Interestingly
this remix provides a better experience than the original. There is
more life and gusto. Naresh, Tanvi and Mahathi give their own
interpretation and add a piquant spice to overall feeling. Naresh will
certainly be a talked about singer after this.
Katril Oru Varthai
Sadhana Sargam starts as beguilingly as only she
can. But the tune gets down to some 80s Hindi tabla-dholak tune. Before
you wonder what it is, Sadhana reverts to style and simplicity. It is
an elegant melody interspersed with some interesting touches the
interludes have unmistakable Laxmikant-Pyarelal flavor . SPB adds his
own brand of magic to it. So does Reena. All in all, a good potpourri.
Inninisai Azhai (in three variants)
This seems to be the anthem of the album as it is
featured thrice. In whichever way you hear it, it is splendid. The
remix version in fact is better with Srinivas’ inimitable vocal chords.
Srinivas is a special talent and he needs to be given more
opportunities by our music directors. Naresh’s vocals too strike a
chord. In some places, it simply holds on to you like a friend. The
jathis are energetic. Mahathi’s voice contours the essential Hindolam
ragam flavor beautifully. Te chorus version grows on you as most
Rehman’s melodies do. Certainly one for the records.
Dhinam Dhinam Deepavali
Rehman never resorts to musical cliches. He always
experiments with the form and flavor. This one is a quaint one. It has
a Goanese feel. But he has made it sound more attractive. The
interludes are certainly new one, never heard before. There is a slew
of singers —Kalpana, Sonu, Leon, Peer, Renjith. All of them sound
alike in the chorus. But it is all fun and unmistakably Rehman!
Theeyil Vizhundh Theenai
Rehman’s muse is Sufism. Get that feel as goes
hauntingly for the high pitch and then come down to lisp the lyrics. In
one word, amazing. Like a cool breeze during sand-paper heat, Rehman’s
vocals and tunes offer present balm. The rhythms and orchestration are
understated. But perfectly in sync with the number.
All in all, another winner from Rehman.
Source: Indiaglitz.com
Source: Behindwoods.com
Source: behindwoods.com
Source: Behindwoods.com
